Librarian View
LEADER 02740cam a2200421 i 4500
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991008368118107546
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20260116095933.0
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180907t20202019enkabg b 001 0 eng d
010
a| 2018042997
020
a| 9780367663360
q| (paperback)
020
z| 9781138088733
q| (hardback)
020
z| 9781315109688
q| (ebook)
035
a| (OCoLC)1054266841
035
a| (OCoLC)on1054266841
040
a| DLC
b| eng
e| rda
c| DLC
d| YDX
d| OCLCO
d| OCLCF
d| YDX
d| OCLCO
d| MOB
d| HK-SYU
042
a| pcc
050
0
0
a| ML160
b| .H605 2019
050
4
a| ML160
b| .H555 2020
9| kkl
082
0
0
a| 780.9
2| 23
092
0
a| 780.9
b| HIJ 2020
100
1
a| Hijleh, Mark,
e| author.
245
1
0
a| Towards a global music history :
b| intercultural convergence, fusion, and transformation in the human musical story /
c| Mark Hijleh.
246
3
a| Intercultural convergence, fusion, and transformation in the human musical story
264
1
a| Abingdon, Oxon ;
a| New York, NY :
b| Routledge,
c| 2020.
264
4
c| ©2019
300
a| viii, 241 pages :
b| illustrations, maps, music ;
c| 24 cm
336
a| text
b| txt
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
504
a| Includes bibliographical references and index.
520
a| How do we explain the globalized musical world in which we find ourselves in the early 21st century and how did we arrive here? This extraordinary book outlines an understanding of the human musical story as an intercultural—and ultimately a transcultural—one, with travel and trade as the primary conditions and catalysts for the ongoing development of musical styles.Starting with the cultural and civilizational precedents that gave rise to the first global trading and travel network in both directions across the Afro-Eurasian Old World Web in the form of the Silk Road, the book proceeds to the rise of al-Andalus and its influence on Europe through the Iberian peninsula before considering the fusion of European, African and indigenous musics that emerged in the Americas between c1500-1920 as part of Atlantic culture and the New World Web, as well as the concurrent acceleration of globalism in music through European empires and exoticism. The book concludes by examining the musical implications of our current Age of Instantaneous Exchange that technology permits, and by revisiting the question of interculturality and transculurality in music.
c| Provided by publisher.
650
0
a| Music
x| History and criticism.
650
0
a| World history.
650
0
a| Intercultural communication
x| History.
650
0
a| Music and globalization.
910
a| nlw
b| kkl
c| wsl
998
a| book
b| 16-01-26
945
h| Supplement
l| location
i| barcode
y| id
f| bookplate
a| callnoa
b| callnob
n| GRS103