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HKSYU Library

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    LEADER 02894cam a22004458i 4500
    001
    991008137569707546
    005
    20230602103337.0
    008
    220613s2022 enka b 001 0 eng d
    010
     
     
    a| 2022019903
    020
     
     
    a| 9781800797994 q| (paperback)
    020
     
     
    z| 9781800798007 q| (ebook)
    020
     
     
    z| 9781800798014 q| (epub)
    040
     
     
    a| DLC b| eng e| rda c| DLC d| HK-SYU
    042
     
     
    a| pcc
    043
     
     
    a| n-us---
    050
    0
    0
    a| PN1999.W27 b| N46 2022
    082
    0
    0
    a| 384/.8/0979494 2| 23/eng/20220613
    092
    0
     
    a| 384.80979494 b| NEO 2022
    245
    0
    0
    a| Neo-Disneyism : b| inclusivity in the twenty-first century of Disney's magic kingdom / c| Brenda Ayres and Sarah E. Maier, [editors].
    246
    3
    0
    a| Inclusivity in the twenty-first century of Disney's magic kingdom
    246
    3
     
    a| Inclusivity in the 21 century of Disney's magic kingdom
    246
    3
     
    a| Inclusivity in the 21st century of Disney's magic kingdom
    263
     
     
    a| 1111
    264
     
    1
    a| Oxford ; a| New York : b| Peter Lang, c| 2022.
    300
     
     
    a| xviii, 350 pages : b| color illustrations ; c| 23 cm.
    336
     
     
    a| text b| txt 2| rdacontent
    337
     
     
    a| unmediated b| n 2| rdamedia
    338
     
     
    a| volume b| nc 2| rdacarrier
    504
     
     
    a| Includes bibliographical references and index.
    520
     
     
    a| "In 2003 Brenda Ayres published The Emperor's Old Groove: Decolonizing Disney's Magic Kingdom with Peter Lang. The contributors to its collection of essays argued that although the Disney Company had been making attempts to represent multicultural diversity, it persisted in inculcating insidious racial, cultural, and gender stereotypes. Nearly twenty years have passed since that analysis, and current scholars-many of them young and non-Western-are assessing more recent Disney films and finding them to be more inclusive, tolerant, and affirmative than that which previously had been marginalized and/or jettisoned. The appraisal of Disney entertainment in the twenty-first century is the focus of the thirteen chapters by scholarly contributors from around the globe, finding it to be more inclusive, tolerant, and affirmative of multiple cultures, ethnicities, nationalities, and gender as well as the differently abled and mentally challenged. The analysis also suggests what Disney might yet do to promote peace, harmony, and well-being in a world that desperately needs to learn how to get along with others"-- c| Provided by publisher.
    610
    2
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    a| Walt Disney Company.
    650
     
    0
    a| Motion pictures x| Social aspects.
    650
     
    0
    a| Motion pictures x| Political aspects.
    650
     
    0
    a| Motion pictures z| United States x| History and criticism.
    650
     
    0
    a| Animated films z| United States x| History and criticism.
    700
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    a| Ayres, Brenda, d| 1953- e| editor.
    700
    1
     
    a| Maier, Sarah E. q| (Sarah Elizabeth), d| 1968- e| editor.
    910
     
     
    a| kct b| wsl
    998
     
     
    a| book b| 02-06-23
    945
     
     
    h| Supplement l| location i| barcode y| id f| bookplate a| callnoa b| callnob n| ENG273