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HKSYU Library

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    LEADER 04012cam a2200721 a 4500
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    991007724219707546
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    030128s2003 enka e b 001 0 eng
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    a| 2003001918
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    a| 0415308844 : c| 110.00(USD)
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    a| 0415308836 (pbk.)
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    a| (HKSYU)b13413260-852hksyu_inst
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    a| DLC c| DLC d| C#P d| CVU d| HkIED d| OrLoB-B d| HK-SYU
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    a| pcc
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    a| N72.S6 b| S62 2003
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    a| 306.4/7 2| 21
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    a| 306.47 b| SOC 2003
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    a| The sociology of art : b| a reader / c| edited by Jeremy Tanner.
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    a| London : b| Routledge, c| 2003.
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    a| xi, 265 p. : b| ill. ; c| 26 cm.
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    a| Includes bibliographical references and index.
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    a| Art and society.
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    a| Tanner, Jeremy, d| 1963-
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    a| b13413260 b| 08-01-22 c| 23-09-11
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    a| ykc b| des
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    a| (HK-SYU)500759606 9| ExL
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    t| Preface
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    t| Acknowledgements
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    t| Introduction: Sociology and Art History p| 1
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    l| 1 t| Marxism and art history p| 39
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    l| 1a t| Social Being and Social Consciousness c| Karl Marx f| Marx, Karl p| 39
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    l| 1b t| Art and Ideology c| Karl Marx f| Marx, Karl p| 40
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    l| 1c t| Historical Development and Cultural Traditions c| Karl Marx f| Marx, Karl p| 43
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    l| 2 t| Art and cultural rationalization p| 46
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    l| 2a t| Magical Religion, Salvation Religion and the Evolution of Art c| Max Weber f| Weber, Max p| 46
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    l| 2b t| The Tensions Between Art and Ethical Religion c| Max Weber f| Weber, Max p| 48
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    l| 2c t| Art and Rationalization in the Western World c| Max Weber f| Weber, Max p| 51
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    l| 3 t| Symmetry and Social Organization c| Georg Simmel f| Simmel, Georg p| 55
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    l| 4 t| Social structure, material culture and symbolic communication p| 59
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    l| 4a t| Symbolic Meaning and Objectification c| Emile Durkheim f| Durkheim, Emile p| 59
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    l| 4b t| Symbolic Objects, Communicative Interaction and Social Creativity c| Emile Durkheim f| Durkheim, Emile p| 63
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    l| 5 t| Marxism and the social production of art p| 77
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    l| 5a t| Productive Forces c| Raymond Williams f| Williams, Raymond p| 77
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    l| 5b t| From Reflection to Meditation c| Raymond Williams f| Williams, Raymond p| 81
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    l| 6 t| Art as Collective Action c| Howard S. Becker f| Becker, Howard S. p| 85
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    l| 7 t| But Who Created the 'Creators'? c| Pierre Bourdieu f| Bourdieu, Pierre p| 96
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    l| 8 t| The Social Status of the Renaissance Artist c| Arnold Hauser f| Hauser, Arnold p| 113
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    l| 9 t| The Van Gogh Effect c| Natalie Heinich f| Heinich, Natalie p| 122
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    l| 10 t| Craftsmen's Art and Artists' Art c| Norbert Elias f| Elias, Norbert p| 132
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    l| 11 t| Material Agency and the Art of Artifacts c| David Brain f| Brain, David p| 137
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    l| 12 t| Art Criticism and the Institutions of the Public Sphere c| Jurgen Habermas f| Habermas, Jurgen p| 157
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    l| 13 t| Outline of a Sociological Theory of Art Perception c| Pierre Bourdieu f| Bourdieu, Pierre p| 164
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    l| 14 t| Cultural Entrepreneurship in Nineteenth-Century Boston: The Creation of an Organizational Base for High Culture in America c| Paul DiMaggio f| DiMaggio, Paul p| 178
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    l| 15 t| Conflicting Visions in American Art museums c| Vera L. Zolberg f| Zolberg, Vera L. p| 194
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    l| 16 t| The Dynamics of Spiritual Realities c| Karl Mannheim f| Mannheim, Karl p| 215
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    l| 17 t| Van Eyck Through the Looking Glass c| Robert Witkin f| Witkin, Robert p| 221
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    l| 18 t| Art as expressive symbolism: action theory and the sociology of art p| 233
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    l| 18a t| Expressive Symbolism and Social Interaction c| Talcott Parsons f| Parsons, Talcott p| 233
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    l| 18b t| The Cultural Elaboration of Expressive Meanings and the Evolution of Art c| Talcott Parsons f| Parsons, Talcott p| 238
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    t| References p| 245
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    t| Index p| 260
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    a| book b| 26-10-11 c| m d| a e| - f| eng g| enk h| 4 i| 0
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    h| Supplement l| location i| barcode y| id f| bookplate a| callnoa b| callnob n| SOC257