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980428s1999 enka 001 0 eng
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a| 98023767
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a| 0415157102 (pbk.)
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a| 0415157099
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a| (HKSYU)b12443657-852hksyu_inst
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a| DLC
c| DLC
d| OrLoB-B
d| HK-SYU
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a| BH39
b| .I57 1999
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a| 111.85
b| INT 1999
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a| Interpreting visual culture :
b| explorations in the hermeneutics of vision /
c| edited by Ian Heywood and Barry Sandywell.
260
a| London ;
a| New York :
b| Routledge,
c| 1999.
300
a| xviii, 260 p. :
b| ill. ;
c| 23 cm.
504
a| Includes bibliographical references and index.
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a| The role of the 'visual' and of human perception is increasingly being seen as central to an understanding of the contemporary human condition. Interpreting Visual Culture brings together the writings of some of the leading experts in art history, philosophy, sociology and cultural studies. Ranging from an analysis of the role of vision in current critical discourse to discussion of specific examples taken from the visual arts, ethics and sociology, this edited collection presents the latest material on the interpretation of the visual in modern culture.
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a| Aesthetics.
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a| Vision.
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a| Hermeneutics.
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a| Art
x| Philosophy.
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a| Sandywell, Barry.
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a| Heywood, Ian,
d| 1948-
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a| b12443657
b| 08-01-22
c| 20-12-08
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a| ykc
b| des
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a| (HK-SYU)500666488
9| ExL
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t| List of illustrations
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t| List of contributors
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t| Introduction: explorations in the hermeneutics of vision
c| Ian Heywood
f| Heywood, Ian
c| Barry Sandywell
f| Sandywell, Barry
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1
l| Pt. I
t| Rethinking the visual in contemporary theory
p| 1
970
1
2
l| 1
t| The hermeneutics of seeing
c| Nicholas Davey
f| Davey, Nicholas
p| 3
970
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2
l| 2
t| Specular grammar: the visual rhetoric of modernity
c| Barry Sandywell
f| Sandywell, Barry
p| 30
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2
l| 3
t| Bakhtin and the metaphorics of perception
c| Michael Gardiner
f| Gardiner, Michael
p| 57
970
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l| 4
t| Durkheim's double vision
c| Chris Jenks
f| Jenks, Chris
p| 74
970
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l| Pt. II
t| Rethinking the visual in art: the challenge to contemporary theorizing
p| 97
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2
l| 5
t| Readers of the lost art: visuality and particularity in art criticism
c| Nigel Whiteley
f| Whiteley, Nigel
p| 99
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2
l| 6
t| Seeing becoming drawing: the interplay of eyes, hands and surfaces in the drawings of Pierre Bonnard
c| Michael Phillipson
f| Phillipson, Michael
c| Chris Fisher
f| Fisher, Chris
p| 123
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l| 7
t| The 'real realm': value and values in recent feminist art
c| Diane Hill
f| Hill, Diane
p| 143
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2
l| 8
t| The denigration of vision and the renewal of painting
c| John A. Smith
f| Smith, John A.
p| 162
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l| Pt. III
t| Towards an ethics of the visual
p| 183
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l| 9
t| My philosophical project and the empty jug
c| David Michael Levin
f| Levin, David Michael, 1939-
p| 185
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l| 10
t| 'Ever more specific': practices and perception in art and ethics
c| Ian Heywood
f| Heywood, Ian
p| 198
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l| 11
t| Aporia of the sensible: art, objecthood and anthropomorphism
c| J. M. Bernstein
f| Bernstein, J. M.
p| 218
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l| App
t| the original project
p| 238
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t| Select bibliography
p| 251
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t| Index
p| 258
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