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000920s2001 enka 001 0 eng
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a| 00048318
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a| 0333772881 (pbk.)
020
a| 0333772873 (hbk.)
035
a| (HKSYU)b12443645-852hksyu_inst
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a| DLC
c| DLC
d| DLC
d| OrLoB-B
d| HK-SYU
042
a| pcc
050
4
a| HM500
b| .B37 2001
092
0
a| 306
b| BAR 2001
100
1
a| Barnard, Malcolm,
d| 1958-
245
1
0
a| Approaches to understanding visual culture /
c| Malcolm Barnard.
260
a| Basingstoke :
b| Palgrave,
c| 2001.
300
a| xi, 212 p. :
b| ill. ;
c| 22 cm.
504
a| Includes bibliographical references (p. 201-206) and index.
650
0
a| Visual sociology.
650
0
a| Culture.
650
0
a| Art and society.
907
a| b12443645
b| 08-01-22
c| 20-12-08
910
a| ykc
b| des
935
a| (HK-SYU)500666785
9| ExL
970
0
1
t| List of Illustrations
970
0
1
t| Acknowledgements
970
0
1
t| Introduction
p| 1
970
1
1
l| 1
t| Understanding Visual Culture
p| 12
970
1
2
t| Understanding visual culture
p| 12
970
1
2
t| So, who understands visual culture?
p| 15
970
1
2
t| Can we tell when we understand a piece of visual culture?
p| 16
970
1
2
t| What kind of thing are we doing when we understand a piece of visual culture?
p| 16
970
1
2
t| What is understanding?
p| 17
970
1
1
l| 2
t| Explanation and Understanding: Visual Culture and Social Science
p| 19
970
1
2
t| Explanation and understanding: science and social science
p| 21
970
1
2
t| Hermeneutic traditions
p| 29
970
1
2
t| Structural traditions
p| 33
970
1
1
l| 3
t| Interpretation and the Individual
p| 41
970
1
2
t| Fifteenth-century Italy: a church-going business man with a taste for dancing
p| 42
970
1
2
t| Twentieth-century England: a fashion-conscious pansy with a taste for violence
p| 48
970
1
2
t| The strengths and weaknesses of the hermeneutic account
p| 54
970
1
1
l| 4
t| Expression and Communication
p| 64
970
1
2
t| Expression
p| 66
970
1
2
t| Auteur theory
p| 74
970
1
2
t| Psychoanalysis: unconscious expression
p| 77
970
1
2
t| Strengths and weaknesses
p| 83
970
1
1
l| 5
t| Feminism: Personal and Political
p| 89
970
1
2
t| Feminism and understanding
p| 91
970
1
2
t| Feminism: personnel, objects, institutions and practices
p| 94
970
1
2
t| Strengths and weaknesses
p| 108
970
1
1
l| 6
t| Marxism and the Social History of Art and Design
p| 115
970
1
2
t| Marxism, understanding and structure
p| 118
970
1
2
t| Arnold Hauser
p| 120
970
1
2
t| Nicos Hadjinicolaou
p| 122
970
1
2
t| Tim Clark
p| 124
970
1
2
t| Gen Doy
p| 129
970
1
2
t| Griselda Pollock
p| 132
970
1
2
t| Strengths and weaknesses
p| 134
970
1
1
l| 7
t| Semiology, Iconology and Iconography
p| 143
970
1
2
t| The sign
p| 146
970
1
2
t| Denotation and connotation
p| 149
970
1
2
t| Structure: narrative, syntagm and paradigm
p| 152
970
1
2
t| Strengths and weaknesses
p| 159
970
1
1
l| 8
t| Form and Style
p| 168
970
1
2
t| Form and style: Clive Bell, Heinrich Wolfflin and Clement Greenberg
p| 171
970
1
2
t| Strengths and weaknesses
p| 180
970
1
2
t| Dick Hebdige and Ted Polhemus
p| 184
970
1
1
l| 9
t| Conclusion
p| 194
970
1
2
t| Hermeneutics and structure
p| 194
970
0
1
t| Bibliography
p| 201
970
0
1
t| Index
p| 207
998
a| book
b| 03-02-09
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d| a
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