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040217s2004 cc a 000 0 eng d
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a| 0195929691
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a| (HKSYU)b12170732-852hksyu_inst
040
a| HNK
c| HNK
d| HUA
d| HK-SYU
050
4
a| PN1993.5.H6
b| B48 2004
066
c| $1
092
0
a| 791.43095125
b| BET 2004
245
0
0
a| Between home and world :
b| a reader in Hong Kong cinema /
c| edited by Esther M.K. Cheung and Chu Yiu-wai = 越界光影 : 香港電影讀本 / 張美君, 朱耀偉編.
246
3
0
a| Reader in Hong Kong cinema.
246
3
1
a| 越界光影 :
b| 香港電影讀本.
246
3
0
a| 香港電影讀本.
260
a| Hong Kong :
b| Oxford University Press,
c| 2004.
300
a| xxxv, 508 p. ;
c| 22 cm.
490
1
a| 香港讀本系列.
504
a| Includes bibliographical references.
650
0
a| Motion picture industry
z| China
z| Hong Kong.
650
0
a| Motion pictures
z| China
z| Hong Kong.
700
1
a| 張美君.
700
1
a| 朱耀偉,
d| 1965-
830
0
a| 香港讀本系列.
907
a| b12170732
b| 27-05-22
c| 03-05-08
910
a| nlw
b| des
935
a| (HK-SYU)590073561
9| ExL
970
0
1
t| Contributors
p| vi
970
0
1
t| Acknowledgements
p| x
970
0
1
t| Introduction: between home and world
p| xii
970
1
1
l| Pt.1
t| Globalization and Hong Kong film industry
970
0
1
t| Introduction
p| 2
970
1
2
l| 1.1
t| Hong Kong cinema in a borderless world (an extract)
c| Esther C.M. Yau
f| Yau, C.M., Esther
p| 17
970
1
2
l| 1.2
t| Who am I? Postcolonial Hong Kong cinema in the age of global capitalism
c| Chu Yiu-wai
f| Chu, Yiu-wai
p| 39
970
1
2
l| 1.3
t| Double negations: Hong Kong cultural identity in Hollywood's transnational representations
c| Lo Kwai-cheung
f| Lo, Kwai-cheung
p| 59
970
1
2
l| 1.4
t| Home, migration, identity: Hong Kong film workers join the Chinese diaspora
c| Steve Fore
f| Fore, Steve
p| 85
970
1
2
l| 1.5
t| Local and global identity: Whither Hong Kong cinema?
c| Stephen Teo
f| Teo, Stephen
p| 100
970
1
1
l| Pt.2
t| The politics of home, memory, and diaspora
970
0
1
t| Introduction
p| 112
970
1
2
l| 2.1
t| Nostalgia of the new wave: structure in Wong-Kai-wai's happy together
c| Rey Chow
f| Chow, Rey
p| 127
970
1
2
l| 2.2
t| Chinese diasporic imaginations in Hong Kong films: sinicist belligerence and melancholia
c| Tan See-Kam
f| Tan, See-kam
p| 147
970
1
2
l| 2.3
t| Crossing borders: time, memory, and the construction of identity in Song of the Exile
c| Patricia Brett Erens
f| Erens, Patricia Brett
p| 177
970
1
2
l| 2.4
t| Transnational cinema, Hybrid identities, and the films of Evans Chan
c| Gina Marchetti
f| Merchetti, Gina
p| 196
970
1
2
l| 2.5
t| Migration-as-transition: pre-post-1997 Hong Kong culture in Clara Law's Autumn moon
c| Audrey Yue
f| Yue, Audrey
p| 224
970
1
1
l| Pt.3
t| Cinema and the city at a moment of danger
970
0
1
t| Introduction
p| 248
970
1
2
l| 3.1
t| Hong Kong: other histories, other politics
c| Ackbar Abbas
f| Abbas, Ackbar
p| 273
970
1
2
l| 3.2
t| Figures of hope and the filmic imaginary of Jianghu in contemporary Hong Kong cinema
c| Stephen Ching-kiu Chan
f| Chan, Ching-kiu, Stephen
p| 297
970
1
2
l| 3.3
t| The ambivalence of history: nostalgia films as meta-narratives in the post-colonial context
c| Blanche Wing-ki Chu
f| Chu, Wing-ki, Blanche
p| 331
970
1
2
l| 3.4
t| The city that Haunts: the uncanny in Fruit Chan's made in Hong Kong
c| Esther M.K. Cheung
f| Cheung, M.K., Esther
p| 352
970
1
2
l| 3.5
t| Urban cinema and the cultural identity of Hong Kong
c| Leung Ping-kwan
f| Leung, Ping-kwan, 1949-
p| 369
970
1
1
l| Pt.4
t| Gendered and sexualized bodies in Hong Kong cinema
970
0
1
t| Introduction
p| 400
970
1
2
l| 4.1
t| Partick Tam's exploration: creating a "new woman" image twenty years ago
c| Mary Shuk-Han Wong
f| Wong, Shuk-han, Mary
p| 421
970
1
2
l| 4.2
t| "Your tender smiles give me strength": paradigms of masculinity in John Woo's a better tomorrow and the killer
c| Julian Stringer
f| Stringer, Julian
p| 437
970
1
2
l| 4.3
t| Queerscapes in contemporary Hong Kong cinema
c| Helen Hok-sze Leung
f| Leung, Hok-sze, Helen
p| 459
970
1
2
l| 4.4
t| Stanley Kwan's center stage: the (im)possible engagement between feminism and postmodernism
c| Cui Shuqin
f| Cui, Shuqin
p| 484
998
a| book
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