Librarian View
LEADER 03369cam a2200445 i 4500
001
991002933649707546
005
20220623002346.0
008
220503s2022 enk b 001 0 eng
010
a| 2021001595
020
a| 9781138631472
q| (pbk)
020
z| 9781138631465
q| (hbk)
020
z| 9781315208862
q| (ebk)
020
z| 9781351804929
q| (electronic bk.)
035
a| (HKSYU)b21660876-852hksyu_inst
035
a| (OCoLC)1235902616
040
a| DLC
b| eng
e| rda
c| DLC
d| OCLCO
d| N$T
d| H2K
d| HK-SYU
042
a| pcc
050
0
0
a| PN1995.9.D6
082
0
0
a| 070.1/8
2| 23
092
0
a| 070.18
b| NAS 2022
100
1
a| Nash, Kate
c| (College teacher),
e| author.
245
1
0
a| Interactive documentary :
b| theory and debate /
c| Kate Nash.
264
1
a| Abingdon, Oxon ;
a| New York, NY :
b| Routledge,
c| 2022.
264
4
c| ©2022
300
a| xi, 166 pages :
b| illustrations, maps ;
c| 24 cm
336
a| text
b| txt
2| rdacontent
336
a| still image
b| sti
2| rdacontent
336
a| cartographic image
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
504
a| Includes bibliographical references and index.
505
0
a| Introduction: Interactive documentary : theory and debate -- Documentary databases : on (not) telling stories in the possibility space -- Participatory intensities : exploring interactive documentary practice -- Interactive documentary and the political : civic cultures and convening publics -- Reality effects : simulation as interactive documentary practice -- Stepping into the story for good : virtual reality (VR) and empathy in first-person media -- The petabyte (anti) sublime : big data, knowledge, and interactive documentary -- Concluding thoughts : from mass extinction to renewal?
520
a| "Tracing continuities in digital and documentary practices, this book is a study of interactive documentary from the perspective of documentary culture. Exploring the dizzy array of new documentary forms that have emerged in the past ten years, the book is grounded in the analysis of multiple, recent examples of digital documentary work, drawing out the key issues that the work raises. These issues provide a starting point for theoretical reflection, with each chapter developing concepts and frameworks to facilitate thinking with and through interactive documentary. The book explores questions of polyvocality, participation and political voice, as well as the sociality and performativity of digital documentary practice. By thinking deeply and critically about interactive documentary practice, the book charts the many and various ways in which interactive documentaries claim the real - contingently, partially or, in some cases, collectively. Each chapter draws on a range of examples - from digital games to data visualisations, database documentaries to virtual reality - demonstrating how we might engage with these 'unstable' digital texts. The book will be particularly valuable for students and researchers keen to make connections between documentary and digital media scholarship"--
c| Provided by publisher.
650
0
a| Documentary films.
650
0
a| Motion picture audiences.
650
0
a| Interactive multimedia.
907
a| b21660876
b| 30-05-22
c| 03-05-22
910
a| nlw
b| mkl
935
a| (HK-SYU)501050146
9| ExL
998
a| book
b| 22-06-22
c| m
d| a
e| -
f| eng
g| enk
h| 0
i| 0